Sunday, November 22, 2009

Mystery behind the Story

Avatar - one of the most anticipated films of the year, or you could say 5 years since the time it was announced. Its mainly because of the technology used in the film - Its going to be stereoscopic, one of the firsts in the action genre; 45% of the film is computer generated, everything N'aavi (the blue people and their world) in the film is CGI and it definitely looks brilliant from what we have seen; lastly its James Cameron's directorial after Titanic. With the record he has - Aliens, Abyss, True Lies, Titanic; its expected to be a spectacular treat.

In all of this hype and frenzy, what bogs me down is the fact that we all know the story, we know how it looks and we know everything of the film. This seems to be a trend with all the films that are being released now-a-days. They let out everything from the film by releasing - teasers - trailers - 4 min "sneak-peeks" and scores of behind the scenes videos.
Where is the aspect of keeping the mystery? Where is the feeling of suspense? Remember when we saw "The Matrix" trailer? I was zapped. It kept everyone wondering what the film was about sans the spectacular visuals. Where is that now?
I remember going to watch The Matrix, itching to know what it was all about and when I saw the film I was riveted to my seat and glued to the screen. I wasn't looking for that one scene I saw in the "4 min sneak-peek. On the same lines - "Cloverfield" there wasn't a clue as to what the film was about until you saw it.

Well, one can say "dont watch the freebee if you want it to be a mystery". Really? Come on, if I dont see it, someone who did, will come yoodling about how amazing it looked or how crappy it was.
Anyways, thats not the point. What am wondering is - have Directors and Production companies lost faith in their audience, that they need to feed our visual greed with reminders that their film is around the corner? and we are talking about accomplished and well known Directors here.
We as audience also have gotten to incline towards substandard qualities of audio and video presentations. We seem quite happy to watch a horrible compressed video clip with bad sound on "you tube" or listen to a song on our cell phone external speakers. At the same time we tend to boast about our amazing flat screen television and our state of the art sound systems in our living room.
From the way I look at it, it looks like our need for information at our finger tips lets us make vast compromises just to be in the loop of current trends and events.

Little is more. A sneak peek should be a peak from behind the curtains to get a glimpse of what awaits, not tell the whole story in a few minutes. Keeping the mystery alive is an art, just like a magic trick. Keeping the suspense. To quote a dialogue from The Prestige -


Every great magic trick consists of three parts or acts. The first part is called "The Pledge". The magician shows you something ordinary: a deck of cards, a bird or a man. He shows you this object. Perhaps he asks you to inspect it to see if it is indeed real, unaltered, normal. But of course... it probably isn't. The second act is called "The Turn". The magician takes the ordinary something and makes it do something extraordinary. Now you're looking for the secret... but you won't find it, because of course you're not really looking. You don't really want to know. You want to be fooled. But you wouldn't clap yet. Because making something disappear isn't enough; you have to bring it back. That's why every magic trick has a third act, the hardest part, the part we call "The Prestige"."


To relate the above to film making - "The Pledge" would be the trailer, "The Turn" would be the film, "The Prestige" would be the essence or the climax of the film.


Wednesday, November 11, 2009

Alex Roman - Ultra real CG lighting.

All these years of being in the CGI\Visual effects industry, I have never seen anything like this. This body of work is fantastic. I have nothing more to say. Watch the videos for yourselves.

Remember: All that you see in these clips are FULLY computer generated. Nothing is real. Nothing.


Kahn's Exeter Short Film from Alex Roman on Vimeo.



T&S Teaser 3 from Alex Roman on Vimeo.


T&S Teaser2 from Alex Roman on Vimeo.


T&S Teaser 1 from Alex Roman on Vimeo.
 


"Alex Roman uses 3DS Max and VRay for Rendering, Photoshop for Texture work, AfterEffects for Compositing and Color Grading and Adobe Premiere for Edition. He born in 1979, in Alicante (Spain), and his real name is Jorge Seva, but uses "Alex Roman" as an artistic alias for publishing. After being trained in traditional painting at a few academies, Alex discovered this other world called CG. Although he hadn't any architecture training, was very interested in this art since an early age.

We appreciate a lot the "little" detail about his desktop is just an Intel i7 920 and the render time per frame spends 1:30 hours at 720p (1280x720). This kind of realism in the The Third & The Seventh short and the hard work behind scene, describes his personal skills and personality: a perfectionistic, enthusiastic, sensitive and willpower man. Good elements to become a successful artist.

The leitmotiv of the short title is based on the discussion about the order in the seven primary art forms, whether architecture should be the third or the seventh. Architecture, sculpture, painting, dance, music, poetry, and cinema, according to Ricciotto Canudo. This old discussion was started with the Friedrich Hegel's order (19th C.): poetry, music, painting, sculpture, and architecture.
" - From 3Dup

Thursday, November 5, 2009

Wine Legend

 
Making of Wine Legend on Vimeo.



I always find fire a very facinating element. Its shape and size is not constant, it looks brilliant (when in control) and when choreographed looks beautiful.

This particular spot done by DAf from Chile is amazing. Fire is always a tough call to make. Its not very easy to control on set, its not easy to make it look good in CG. Some of the best CG fires I have seen was in Harry Potter and the Half Blood Prince, done by Industrial Light and Magic, am not saying this because I work there but its really amazing. To read more about how the CG fire was created in The Half Blood Prince click here.

Its always best to shot plates of fire, as reference and if composited well it can be used in the final shot. Elements that way- fire, water, debris its best to get as many practical plates as possible. Nothing beats the real thing.

Enjoy the making of and the advert.